Ansel Adams 2022 Wall Calendar

Authorized Edition: 13-Month Nature Photography Collection (Monthly Calendar)

Contributors

By Ansel Adams

On Sale
Jul 27, 2021
Page Count
24 pages
Publisher
Ansel Adams
ISBN-13
9780316242301

Enjoy Ansel Adams’ iconic nature photographs all year long in this durable wire-bound wall calendar with generous space for recording monthly schedules.
 
Ansel Adams’ “Authorized Edition” calendars have been a beloved annual tradition for over thirty-five years. This 2022 wall calendar includes:
  • Fourteen spectacular black and white landscape photographs by legendary artist and environmentalist Ansel Adams, carefully selected and sequenced to reflect the changing seasons.
  • Large format 12.8″ x 15.6″ wall calendar (25.6″ x 15.6″ open).
  • Scenes from Yosemite National Park, Kings Canyon National Park, Mount Rainier National Park, and more.
  • The perfect inspirational gift for lovers of fine art, photography, nature, and the outdoors.
  • Printed in rich duotone on premium paper stock, making each page suitable for framing at year’s end.
  • Features US and Canadian legal holidays, phases of the moon, and major religious holidays.
  • Printed and manufactured in the United States of America.
 
The photographs of Ansel Adams are among America’s finest cultural treasures, and are the foundation of his tremendous legacy of environmental activism. One of the most influential artists of the 20th century, today his creative vision is as relevant and convincing as ever.
 
For more ways to enjoy the photography of Ansel Adams, look for the Ansel Adams 2022 Engagement Calendar and Ansel Adams’ Yosemite.

Formats and Prices

Price

$19.99

Price

$25.99 CAD

Format

Calendar

Format:

Calendar $19.99 $25.99 CAD

Ansel Adams

About the Author

In a career that spanned six decades, Ansel Adams was at once America’s foremost landscape photographer and one of its most respected environmentalists.

In Ansel Adams at 100, John Szarkowski notes that Adams’s role in the history of photography goes beyond his achievements as one of the great photographers of the twentieth century. As a leader in the study and appreciation of photography as an art, he played a major role in establishing the first department of photography in an art museum, at The Museum of Modern Art, New York (the same department that Szarkowski led from 1962 to 1991). Moreover, as a tireless advocate for improving the reproduction of photographs in books, Adams “badgered and cajoled his printers and platemakers” till they had “achieved in ink an unprecedented degree of fidelity to the chemical print.”

Although he devoted a lifetime to the cause of wilderness preservation, “Adams did not photograph the landscape as a matter of social service, but as a form of private worship. It was his own soul that he was trying to save,” Szarkowski writes, adding that “Ansel Adams’s great work was done under the stimulus of a profound and mystical experience of the natural world.” Szarkowski dates that experience to the early 1920s and a camping trip in the High Sierra. As Adams later recalled, “I was suddenly arrested in the long crunching path up the ridge by an exceedingly pointed awareness of the light…. I saw more clearly than I have ever seen before or since the minute detail of the grasses, the clusters of sand shifting in the wind, the small flotsam of the forest, the motion of the high clouds streaming above the peaks.”

Commenting on this moment of vision, Szarkowski writes, “One might guess that Adams spent the next quarter century trying to make a photograph that would give objective form to the sense of ineffable knowledge that on occasion, in his youth, inhabited him in the high mountains. Yosemite and the Sierra gave him not only his principal subject, but also the experience that provided the basis for a useful artistic idea: ‘The silver light turned every blade of grass and every particle of sand into a luminous metallic splendor.’”

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