Fugitive Archives

Asale Angel-Ajani’s incisive, lyrical exploration of her family’s history radically overturns American myths about race, violence, and belonging.

Angel-Ajani and her twin, the only Black children in a working-class white family, were shuffled between relatives, coming of age in a country that offered little refuge. Raised in the gaps left behind, they learned how race and betrayal shaped their family legacy and the identities they inherited. When her grandmother, the family’s record keeper, died, Angel-Ajani took up the archive, looking for answers—about her mother’s abandonment, her father’s legal struggles, and her grandmother’s passage from overt racism to an improbable love with her Black step-grandfather. Most urgently, she sought to understand the origins of her inescapable anger.

Tracing ancestors enslaved, Indigenous, free, and white, Angel-Ajani uncovered how people survived violent systems that rewarded compliance and punished mercy—and how some carved pockets of resistance, whose acts of resistance rippled across generations. Through stories of stolen land, the enslavement and murder of her earliest ancestor, her great-grandmother’s role in the WKKK, and the incarceration of a step-grandmother and uncle in a Japanese internment camp, she weaves her linage into the national narrative, exposing connections deliberately erased from official accounts. She reveals a country not of strangers split into “us” and “them,” but of lives deeply entangled.

In a moment defined by moral exhaustion, rising violence, and historical erasure, Fugitive Archives lays bare a nation’s unresolved past through one family’s story of grief, betrayal, courage, and love. It is both a testament and an invitation—a vital exploration of race and class, a map for survival and resistance, and a necessary reckoning with the truths we inherit to reshape a more just future.

• Praise for A Country You Can Leave:
  
  “A master class of a bildungsroman . . . Like childhood, Angel-Ajani’s novel is alternately horrifying and spellbinding in its lessons about love, family and growing up." I>The New York Times
  
  "Angel-Ajani’s unflinching portrait of this hypernuclear family is captivating and complex, with a richly drawn supporting cast and occasional arch humor that leavens the intensely emotional backdrop." —Bookpage (starred review)
  
  "[A] piercing debut novel . . . In perceptive prose and wry dialogue, Angel-Ajani brings to life a mother and daughter trapped by their circumstances. This is exemplary." 
  Publishers Weekly (starred review) "From page one, A Country You Can Leave is a riveting, exasperating, and deeply heartbreaking tale of mother-daughter strife and resilience. Asale Angel-Ajani is an explosive talent and her story of Afro-Cuban Lara coming of age in a ruthless headlock with her survivalist Russian mother, Yevgenia, will disintegrate your strong-held emotional walls, down to her very last act of resistance." —Xochitl Gonzalez, author of Olga Dies Dreaming